Grylloi: A Being with Mixed Depictions from Konya

Cercetări Arheologice 31.1, 2024, 205-214
https://doi.org/10.46535/ca.31.1.12



Grylloi: A Being with Mixed Depictions from Konya


Authors: Nizam Abay

Keywords:

Grylloi, Roman Period, Mixed Being, Typologies, Talisman

Abstract:

This study is based on a mixed figure on a ring stone from the Roman period (1st – 2nd. century AD) preserved in the Konya Archaeology Museum. This figure is seen as a combination of four elements: a horse protome, a Silenus mask body, rooster feet and a ram’s head. This depiction, which is encountered in different typologies in Antiquity, is called Grylloi. A Greek-Roman word, widely used on ring stones since the 1st century BC, this depiction is also known by other names such as mask-animal, multi-headed creatures and fantastic concoction. These beings, usually depicted on oval rings with easily workable jasper stones, were thought to be worn as talismans or amulets with an apotropaic function. In this way, they were probably intended to ward off evil, possibly as amulets.

Download: PDF


How to cite: Nizam Abay, Grylloi: A Being with Mixed Depictions from Konya, Cercetări Arheologice, Vol. 31.1, pag. 205-214, 2024, doi: https://doi.org/10.46535/ca.31.1.12


Bibliography


Antique Bibliography

  1. Pliny (Plinius, the elder). Natural History, Volume IX: Books 33-35. Translated by H. Rackham. Loeb Classical Library 394. Cambridge, MA: Harvard University Press, 1952.
  2. Pliny (Plinius, the elder). Natural History, Volume VIII: Books 28-32. Translated by W. H. S. Jones. Loeb Classical Library 418. Cambridge, MA: Harvard University Press, 1963.
  3. Plutark Questiones conuiuialis v.6 681ff.    

 

Modern Bibliography

  1. Bąkowska-Czerner, G., and Świerzowska, A. 2015. Thoth on magical gems. In G. Bąkowska-Czerner, G. Roccati and A. Świerzowska (Eds.), The wisdom of Thoth: Magical text in ancient Mediterranean civilisations: 3-15. Oxford: Archaeopress Publishing Ltd.
  2. Baltrusaitis, J. 2001. Düşsel Ortaçağ. Çeviren M. A. Kılıçbay. Ankara: İmge Kitabevi.
  3. Binsfeld, W. 1956. Grylloi: Ein beitrag zur geschichte der antiken Karikatur. [PhD thesis]. University of Cologne.
  4. Blanchet, A. 1920. Recherches sur les « grylles », à propos d’une pierre gravée trouvée en Alsace. Revue des Études Anciennes 22(1): 43-51.
  5. Boardman, J., Scarisbrick, D., Wagner, C. and Zwierlein-Diehl, E. 2009. The Marlborough gems: Formerly at Blenheim palace, Oxfordshire. Oxford: Oxford University Press.
  6. Bouzek, J. and Ondřejová, I. 1982. Antike Gemmen im grossmährischen Schmuck. Listy Filologické 105: 6-12.
  7. Carus, P. 1898. Gnosticism in its relation to Christianity. The Monist 8(4): 502-546.
  8. Csapo, E. 2006. Cockfights, contradictions, and the mythopoetics of ancient Greek culture. Arts: The Journal of the Sydney University Arts Association 28: 9-41.
  9. Derchain, P.H. 1965. Le Papyrus Salt 825 (B.M. 10051). Rituel pour la conservation de la vie en Egypte (Fasc. II, Pl. XV). Bruxelles: Royal Academy of Belgium.
  10. Erhat, A. 2014. Mitoloji sözlüğü. İstanbul: Remzi Kitap evi.
  11. Furtwangler, A.G. 1900. Antike Gemmen I—III. Berlin and Leipzig: Giesecke & Devrient.
  12. Gesztelyi, T. 2001. Gemmák és gyűrűk Brigetióból – Gemstones and finger rings from Brigetio (A Kuny Domokos Múzeum gyűjteményei 6). Tata: Kuny Domokos Múzeum.
  13. Guida, A. 1985. Il lombardo, la chiocciola e… un gryllus: Tradizione classica e letteratura umanistica. Festschrift A. Perosa 1: 17-23.
  14. Haines, D. E., & Olry, R. 1998. Cerebral mythology: A skull stuffed with gods. Journal of the History of the Neurosciences 7(1): 82-83.
  15. Hammerstaedt, J. 2000. Gryllos: Die antike Bedeutung eines modernen archäologischen Begriffs. Zeitschrift für Papyrologie und Epigraphik 129: 29-46.
  16. Henig, M. 1978. A corpus of Roman engraved gemstones from British Sites. British Archaeological Reports British Series 8. Oxford: BAR Publishing.
  17. Herchenroeder, L. 2008. Τί γὰρ τοῦτο πρὸς τὸν λόγον; Plutarch’s Gryllus and the so-called Grylloi. American Journal of Philology 129(3): 347-379.
  18. Kalla, G. 2018. Date palms, deer/gazelles and birds in ancient Mesopotamia and early Byzantine Syria: A Christian iconographic scheme and its sources in the ancient Orient. In T. A. Bács, Á. Bollók, & T. Vida (Eds.), Across the Mediterranean – Along the Nile: Studies in Egyptology, Nubiology and Late Antiquity Dedicated to László Török on the Occasion of His 75th Birthday (Vol. 2, p. 863-900). Budapest: Institute of Archaeology, Research Centre for the Humanities, Hungarian Academy of Sciences.
  19. Karaosmanoğlu, M. 2005. Mitoloji ve Ege’nin Tanrıları. Erzurum: Eser Ofset Matbaacılık.
  20. Kerenyi, C. 1995. The Gods of The Greeks. New York: Thames and Hudson.
  21. King, C. W. 1860. Antique gems: their origin, uses, and value. London: W. Clowes and Sans.
  22. Kuzmanovic, I. 2002. Gryllo representation in glyptic Art of Antiquity. Belgrad, UDC 739(37).
  23. Lapatin, K. 2011. Grylloi. In N. Adams and Ch. Entwistle (Eds.), Gems of Heaven: Recent Research on Engraved Gemstones in Late Antiquity içinde (p. 88-98). London: Trustees of the British Museum.
  24. Williams, D. 1990. LIMC V, 1 (1990) 427-432 s. v. Hippalektryon.
  25. Mannsprenger, B. 2001. İlyada’da doğa yapısı, hayvanlar ve bitkiler âlemi. Çeviren S. Bulgurlu Gün. Düş ve gerçek Troia (ss. 319-322). Homer Kitabevi.
  26. Metropolitan Museum of Art. n.d. Carnelian ring stone. Accessed 19.03.2024. https://www.metmuseum.org/art/collection/search/253798.
  27. Morgan, N. J. 2021. The Blackburn Psalter and the William of Devon group. C. Johnston (Ed.), Rare Books and Manuscripts in the R.E. Hart Collection. Blackburn: Museum and Art Gallery.
  28. Otto, W. F. 1993. Dionysus myth and cult. Dallas (Tex.): Spring Publications.
  29. Özer, E. 2016. Aizanoi’dan horozlu mezar. Art-Sanat 5: 1-24.
  30. Schmidt, L. 1952. Der vögel selbsterkentnis. Zwischen Volkskunst und Redensart. Österreichische Zeitschrift für Volkskunde 55: 134–144.
  31. Sliwa, J. 2012. Group of mask-animal gems from the collection of Constantine Schmidt-Ciążyński. Et Trav 25: 379-387.
  32. Turak, Ö. 2018. Boğa ve Trident: “Poseidon Üzerine Bir İnceleme”. Masrop E-Dergi, Cilt 12, Sayı 1: 35-48.
  33. Wrede, H. 1988. Die tanzenden musikanten von. Mahdia und der Alexandrinische Gotter- und Herrscherkult. RM 95: 97-114.
  34. Zazoff, P. 1965. Gemmen in Kassel. Archäologischer Anzeiger 80:1- 115.
  35. Zazoff, P. 1983. Die antiken Gemmen, Handbuch der Archäologie. München: C.H. Beck.

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License